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Giovanni Battista (also Giambattista) Piranesi ((:dʒoˈvanni batˈtista piraˈneːzi); 4 October 1720 – 9 November 1778) was an Italian artist famous for his etchings of Rome and of fictitious and atmospheric "prisons" (''Le Carceri d'Invenzione''). ==Biography== Piranesi was born in Mogliano Veneto, near Treviso, then part of the Republic of Venice. His brother Andrea introduced him to Latin and the ancient civilization, and later he studied as an architect under his uncle, Matteo Lucchesi, who was ''Magistrato delle Acque'', a Venetian engineer who specialized in excavation. From 1740 he was in Rome with Marco Foscarini, the Venetian envoy to the Vatican. He resided in the Palazzo Venezia and studied under Giuseppe Vasi, who introduced him to the art of etching and engraving. After his studies with Vasi, he collaborated with pupils of the French Academy in Rome to produce a series of ''vedute'' (views) of the city; his first work was ''Prima parte di Architettura e Prospettive'' (1743), followed in 1745 by ''Varie Vedute di Roma Antica e Moderna''. From 1743 to 1747 he sojourned mainly in Venice where, according to some sources, he often visited Giovanni Battista Tiepolo. He then returned to Rome, where he opened a workshop in Via del Corso. In 1748–1774 he created a long series of ''vedute'' of the city which established his fame. In the meantime Piranesi devoted himself to the measurement of many of the ancient edifices: this led to the publication of ''Le Antichità Romane de' tempo della prima Repubblica e dei primi imperatori'' ("Roman Antiquities of the Time of the First Republic and the First Emperors"). In 1761 he became a member of the Accademia di San Luca and opened a printing facility of his own. In 1762 the ''Campo Marzio dell'antica Roma'' collection of engravings was printed. The following year he was commissioned by Pope Clement XIII to restore the choir of San Giovanni in Laterano, but the work did not materialize. In 1764 Piranesi started his sole architectural works of importance, the restoration of the church of Santa Maria del Priorato in the Villa of the Knights of Malta in Rome, where he was buried in a tomb designed by Giuseppi Angelini. In 1767 he was created a knight of the Golden Spur, which enabled him henceforth to sign himself "Cav() Piranesi". In 1769 his publication of a series of ingenious and sometimes bizarre designs for chimneypieces, as well as an original range of furniture pieces, established his place as a versatile and resourceful designer.〔Wilton-Ely, John. ("The ultimate act of fantasia: To mark the opening of a major Piranesi exhibition at Cooper-Hewitt National Design Museum, New York, one of its curators, John Wilton-Ely, discusses the masterpiece that Piranesi planned for his own tomb." ), ''Apollo (magazine)'', 2007-09-01. Retrieved on 2009-06-01.〕 In 1776 he created his famous ''Piranesi Vase'', his best known work as a 'restorer' of ancient sculpture. In 1777–78 Piranesi published ''Avanzi degli Edifici di Pesto'', (Remains of the Edifices of Paestum) a collection of views of Paestum. He died in Rome in 1778 after a long illness and was buried in the Church of Santa Maria del Priorato, on the Aventine hill in Rome. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Giovanni Battista Piranesi」の詳細全文を読む スポンサード リンク
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